From an extraordinary new voice in fiction comes a haunting, powerful novel about mothers and daughters, choice and regret, the mistakes we make and the ones we hope we can correct before it’s too late.

Nothing much ever happens in Falling Rock, Kentucky. So when Virginia Lemmons’ husband takes off in his Trans Am to take up with a beautician, there’s not much to do but what people in rural Kentucky have always done–get on with it. Now, overwhelmed and unsure, Virginia’s got her hands full trying to keep it together, body and soul, while raising her two teenage kids–eighteen-year-old son, Will, and her spirited fourteen-year-old daughter, Shannon.

But Shannon has her own ideas for breaking free of Falling Rock, and in her reckless, wild-child daughter, Virginia sees echoes of herself and her own painful past. She’ll do whatever it takes to keep her daughter from making the same tragic mistakes, and saving what’s left of her fragile family just may be the biggest fight of Virginia’s life.

In this compelling, heartbreaking first novel, Janna McMahan brings to authentic life the dreams, passions, and troubles of one southern town, where choice isn’t always easy to come by, and living the hand you’re dealt with is a grace all its own.

“A beautifully wrought novel populated by a vivid cast of characters…Janna McMahan takes us completely into the lives of these people and their small town, presenting this world with authenticity and dignity. I absolutely loved this book and will carry it with me for a long time.” –Silas House

In The Fence My Father Built, when legally separated Muri Pond, a librarian, hauls her kids, teenage Nova and eleven year-old Truman, out to the tiny town of Murkee, Oregon, where her father, Joe Pond lived and died, she’s confronted by a neighbor’s harassment over water rights and Joe’s legacy: a fence made from old oven doors.

The fence and accompanying house trailer horrify rebellious Nova, who runs away to the drug-infested streets of Seattle. Muri searches for her daughter and for something to believe in, all the while trying to save her inheritance from the conniving neighbor who calls her dad Chief Joseph. Along with Joe’s sister, Aunt Lutie, and the Red Rock Tabernacle Ladies, Muri must rediscover the faith her alcoholic dad never abandoned in order to reclaim her own spiritual path.

In J.D. Salinger’s brilliant coming-of-age novel, Holden Caulfield, a seventeen year old prep school adolescent relates his lonely, life-changing twenty-four hour stay in New York City as he experiences the phoniness of the adult world while attempting to deal with the death of his younger brother, an overwhelming compulsion to lie and troubling sexual experiences.

Salinger, whose characters are among the best and most developed in all of literature has captured the eternal angst of growing into adulthood in the person of Holden Caulfield. Anyone who has reached the age of sixteen will be able to identify with this unique and yet universal character, for Holden contains bits and pieces of all of us. It is for this very reason that The Catcher in the Rye has become one of the most beloved and enduring works in world literature.

As always, Salinger’s writing is so brilliant, his characters so real, that he need not employ artifice of any kind. This is a study of the complex problems haunting all adolescents as they mature into adulthood and Salinger wisely chooses to keep his narrative and prose straightforward and simple.

This is not to say that The Catcher in the Rye is a straightforward and simple book. It is anything but. In it we are privy to Salinger’s genius and originality in portraying universal problems in a unique manner. The Catcher in the Rye is a book that can be loved and understood on many different levels of comprehension and each reader who experiences it will come away with a fresh view of the world in which they live.

A work of true genius, images of a catcher in the rye are abundantly apparent throughout this book.

While analyzing the city raging about him, Holden’s attention is captured by a child walking in the street “singing and humming.” Realizing that the child is singing the familiar refrain, “If a body meet a body, comin’ through the rye,” Holden, himself, says that he feels “not so depressed.”

The title’s words, however, are more than just a pretty ditty that Holden happens to like. In the stroke of pure genius that is Salinger, himself, he wisely sums up the book’s theme in its title.

When Holden, whose past has been traumatic, to say the least, is questioned by his younger sister, Phoebe, regarding what he would like to do when he gets older, Holden replies, “Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody’s around–nobody big, I mean–except me. And I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff–I mean if they’re running and they don’t look where they’re going. I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all. I know it’s crazy, but that’s the only thing I’d really like to be.”

In this short bit of dialogue Salinger brilliantly exposes Holden’s deepest desire and expounds the book’s theme. Holden wishes to preserve something of childhood innocence that gets hopelessly lost as we grow into the crazy and phony world of adulthood.

The theme of lost innocence is deftly explored by Salinger throughout the book. Holden is appalled when he encounters profanity scrawled on the walls of Phoebe’s school, a school that he envisions protecting and shielding children from the evils of society.

When Holden gives his red hunting cap to Phoebe to wear, he gives it to her as a shield, an emblem of the eternal love and protectiveness he feels for her.

Near the beginning of the book, Holden remembers a girl he once knew, Jane Gallagher, with whom he played checkers. Jane, he remembers, “wouldn’t move any of her kings,” and action Holden realizes to be a metaphor of her naivete. When Holden hears that his sexually experienced prep school roommate had a date with Jane, he immediately starts a fight with him, symbolically protecting Jane’s innocence.

More sophisticated readers might question the reasons behind Holden’s plight. While Holden’s feelings are universal, this character does seem to be a rather extreme example. The catalyst for Holden’s desires is no doubt the death of his younger brother, Allie, a bright and loving boy who died of leukemia at the age of thirteen. Holden still feels the sting of Allie’s death acutely, as well as his own, albeit undeserved, guilt, in being able to do nothing to prevent Allie’s suffering.

The only reminder Holden has of Allie’s shining but all-too-short life, is Allie’s baseball mitt which is covered with poems Allie read while standing in the outfield. In a particularly poignant moment, Holden tells us that this is the glove he would want to use to catch children when they fall from the cliff of innocence.

In an interesting, but trademark, Salinger twist, Holden distorts the Robert Burns poem that provides the book’s title. Originally, it read, “If a body meet a body, comin’ through the rye.” Holden distorts the word “meet” into “catch.” This is certainly not the first time Holden is guilty of distortion; indeed he is a master at it.

This distortion, however, shows us how much Allie’s death has affected Holden and also how much he fears his own fall from innocence, the theme that threads its way throughout the whole of the book.

By this amazing book’s end, we must reach the conclusion that there are times when we all need a “catcher in the rye.” We are, indeed, blessed if we have one.

The world is changing: the government has seized control of every aspect of society, and now, kids are disappearing. For 15-year-old Wisty and her older brother Whit, life turns upside down when they are torn from their parents one night and slammed into a secret prison for no reason they can comprehend. The New Order, as it is known, is clearly trying to suppress Life, Liberty, and the Pursuit of Being a Normal Teenager. But while trapped in this totalitarian nightmare, Wisty and Whit discover they have incredible powers they’d never dreamed of. Can this newly minted witch and wizard master their skills in time to save themselves, their parents–and maybe the world?

If you’ve ever wondered what your dog is thinking, Stein’s third novel offers an answer. Enzo is a lab terrier mix plucked from a farm outside Seattle to ride shotgun with race car driver Denny Swift as he pursues success on the track and off. Denny meets and marries Eve, has a daughter, Zoë, and risks his savings and his life to make it on the professional racing circuit. Enzo, frustrated by his inability to speak and his lack of opposable thumbs, watches Denny’s old racing videos, coins koanlike aphorisms that apply to both driving and life, and hopes for the day when his life as a dog will be over and he can be reborn a man. When Denny hits an extended rough patch, Enzo remains his most steadfast if silent supporter. Enzo is a reliable companion and a likable enough narrator, though the string of Denny’s bad luck stories strains believability. Much like Denny, however, Stein is able to salvage some dignity from the over-the-top drama.

Guinness World Records 2010 continues to build on the intriguing, informative, inspiring and instructional records and superlatives that have made Guinness World Records one of the most famous brands and an annual best-seller around the world. Over 100 million copies have sold since the first edition was published in 1955. Nearly 4 million copies are sold every year in more than 100 countries and in 25 languages.

What’s new in GWR10?…

- Free downloadable content, including videos, photographs, screensavers and interviews – 100% new photographs and fully updated records – Brilliant new “steampunk” graphic novel design – New sections and record threads celebrating the first decade of the 21st century – Top 50 Records of the Decade – Record of the Day – one for every day of the year – Unbreakable Records (those that will seemingly never be broken) – Lasts (records such as the last living survivor of the Titanic disaster, or the last known dodo) – The Name’s Bond (celebrating the James Bond phenomenon) – Culture Shock (unusual rituals and festivals around the globe) – Gold (the commodity that never loses its luster) – Updated gazetteer sections covering records in all major regions of the world – Fully updated regular sections, including Space, Planet Earth, The Animal Planet, The Body, Human Achievements, Engineering and Technology, The Modern World, Arts and the Media and, of course, Sports.

All year the half-bloods have been preparing for battle against the Titans, knowing the odds of victory are grim. Kronos’s army is stronger than ever, and with every god and half-blood he recruits, the evil Titan’s power only grows. While the Olympians struggle to contain the rampaging monster Typhon, Kronos begins his advance on New York City, where Mount Olympus stands virtually unguarded. Now it’s up to Percy Jackson and an army of young demigods to stop the Lord of Time.

In this momentous final book in the New York Times best-selling Percy Jackson and the Olympians series, the long-awaited prophecy surrounding Percy’s sixteenth birthday unfolds. And as the battle for Western civilization rages on the streets of Manhattan, Percy faces a terrifying suspicion that he may be fighting against his own fate.

Reviewers were happy to report that the Hunger Games trilogy is alive and well, and all looked forward to the third book in the series after this one’s stunning conclusion. But they disagreed over whether Catching Fire was as good as the original book Hunger Games or should be viewed as somewhat of a “sophomore slump.” Several critics who remained unconvinced by Katniss’s romantic dilemma made unfavorable comparisons to the human-vampire-werewolf love triangle in Stephenie Meyer’s Twilightseries. But most reviewers felt that Catching Fire was still a thrill because Collins replicated her initial success at balancing action, violence, and heroism in a way that will enthrall young readers without giving them (too many) nightmares.

If there really are only seven original plots in the world, it’s odd that boy meets girl is always mentioned, and society goes bad and attacks the good guy never is. Yet we have Fahrenheit 451, The Giver, The House of the Scorpion—and now, following a long tradition of Brave New Worlds, The Hunger Games. Collins hasn’t tied her future to a specific date, or weighted it down with too much finger wagging. Rather less 1984 and rather more Death Race 2000, hers is a gripping story set in a postapocalyptic world where a replacement for the United States demands a tribute from each of its territories: two children to be used as gladiators in a televised fight to the death.Katniss, from what was once Appalachia, offers to take the place of her sister in the Hunger Games, but after this ultimate sacrifice, she is entirely focused on survival at any cost. It is her teammate, Peeta, who recognizes the importance of holding on to one’s humanity in such inhuman circumstances. It’s a credit to Collins’s skill at characterization that Katniss, like a new Theseus, is cold, calculating and still likable. She has the attributes to be a winner, where Peeta has the grace to be a good loser.It’s no accident that these games are presented as pop culture. Every generation projects its fear: runaway science, communism, overpopulation, nuclear wars and, now, reality TV. The State of Panem—which needs to keep its tributaries subdued and its citizens complacent—may have created the Games, but mindless television is the real danger, the means by which society pacifies its citizens and punishes those who fail to conform. Will its connection to reality TV, ubiquitous today, date the book? It might, but for now, it makes this the right book at the right time. What happens if we choose entertainment over humanity? In Collins’s world, we’ll be obsessed with grooming, we’ll talk funny, and all our sentences will end with the same rise as questions. When Katniss is sent to stylists to be made more telegenic before she competes, she stands naked in front of them, strangely unembarrassed. They’re so unlike people that I’m no more self-conscious than if a trio of oddly colored birds were pecking around my feet, she thinks. In order not to hate these creatures who are sending her to her death, she imagines them as pets. It isn’t just the contestants who risk the loss of their humanity. It is all who watch.Katniss struggles to win not only the Games but the inherent contest for audience approval. Because this is the first book in a series, not everything is resolved, and what is left unanswered is the central question. Has she sacrificed too much? We know what she has given up to survive, but not whether the price was too high. Readers will wait eagerly to learn more.Megan Whalen Turner is the author of the Newbery Honor book The Thief and its sequels, The Queen of Attolia and The King of Attolia.

Where the Wild Things Are is one of those truly rare books that can be enjoyed equally by a child and a grown-up. If you disagree, then it’s been too long since you’ve attended a wild rumpus. Max dons his wolf suit in pursuit of some mischief and gets sent to bed without supper. Fortuitously, a forest grows in his room, allowing his wild rampage to continue unimpaired. Sendak’s color illustrations (perhaps his finest) are beautiful, and each turn of the page brings the discovery of a new wonder.

The wild things–with their mismatched parts and giant eyes–manage somehow to be scary-looking without ever really being scary; at times they’re downright hilarious. Sendak’s defiantly run-on sentences–one of his trademarks–lend the perfect touch of stream of consciousness to the tale, which floats between the land of dreams and a child’s imagination.

This Sendak classic is more fun than you’ve ever had in a wolf suit, and it manages to reaffirm the notion that there’s no place like home.