The author, vice president of the Poynter Institute School of Journalism, wants you to understand that a tool isn’t the same thing as a rule. A tool is something designed to help you, not constrict you. The 50 tools discussed here take writers through the process of storytelling in prose, from the basic (construct a sentence with a subject and a verb) to the advanced (make your characters archetypes, not stereotypes).
Levine, best known for Ella Enchanted (1997), offers middle-graders ideas about making their own writing take flight. Though her concentration is primarily fiction, she notes that her suggestions can help all sorts of writing. Among the topics she covers are shaping characters, beginnings and endings, revising, and finding ideas.
Short and snappy as it is, Stephen King’s On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. You’re right there with the young author as he’s tormented by poison ivy, gas-passing babysitters, uptight schoolmarms, and a laundry job nastier than Jack London’s. It’s a ripping yarn that casts a sharp light on his fiction. This was a child who dug Yvette Vickers from Attack of the Giant Leeches, not Sandra Dee. “I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers, and girls in black bras who looked like trailer trash.”
